500 WORD CRITIC OF THE IMAGE-CONNIE

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Mario Sorrent took the above image. In this image Sorrent was advertising high heels and a swimsuit. He used a graffiti art painting as his background.

This image to me is absolutely stunning because it edgy, its new, its fresh, unique and extremely interesting. Its edgy because its not the average environment for a swimwear and high heel shoot thus most swimwear and high heel shoots are done indoors or at the beach but this image is taken from a dirty environment which makes it stand out from all the other swimwear and high heel shoots.

The lighting used is dramatic as it has soft shadows that give this image an edgy look. The photographer probably used one light source and reflectors to bounce back the light. He used a beauty dish to light her face and reflectors to bounce light back. He also used natural light, which enhances the image by making it have a nice glow look. The natural light used gives the image more dramatic shadows hence making the image more eye-catching.

The composition used is interesting because it’s not the average vertical composition thus it’s most looks like it’s slanting almost falling over yet this odd composition makes it looks super interesting and eye catching.

The more you look at this image the more you get drawn to it. The background used almost blends together with the swimsuit and heels. The background used gave this image an interesting mood thus the background made this image look new, unique, fresh, and elegant. It also makes this image strong almost giving a feel that if you wear these heels and swimsuit, you will become strong.

This image is also stunning because it is in colour and colour always  makes fashion images look glamorous, sexy, elegant, confident, calm, composed, strong, stylish and trendy thus if the photographer had converted this image to a black and white image, this image wouldn’t have been vibrant as it is as a colour image thus it would have been extremely dull and flat and the graffiti art background would have lacked liveliness ( the background would appear dead). The model’s swimwear and heels wouldn’t stand out as they do in colour hence they would have appeared boring, unattractive and it wouldn’t make you want to go and buy the swimwear or heels.

If the photographer had made this image black and white, he would have lost all the texture in the background. He would have lost all the texture in the background because in black and white images texture looks the same thus there would not be a variation of different textures as in colour images.

Despite the fact that this image is stunning, I wouldn’t have used the graffiti art background, as it is so distracting for me thus I draw my attention more to the graffiti art background than to what the photographer is trying to advertise which in this case is the heels and swimwear. I would have used a less graffiti art background in order for my viewer’s to focus more on the product that i am selling.

By Connie

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How has Art Movement affected fashion Photography Part 3 -CONNIE

 

 

 

 

In this image, the photography painted the wall with black and white strips then he painted his model with black and white strips as well. Although this image might look odd but it gives fashion photography an edge thus it makes fashion photography interesting, new, and fresh. The graffiti art movement also makes the image more eye-catching thus it sort of draws you into the image.

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http://www.trendhunter.com/trends/maybelline-2013-calendar

 

 

 

By Connie

 

 

 

 

How has Art Movement Influenced Fashion Photography Part 4 -CONNIE

Photographer Michael Freeby took the image above. In this image Freeby wanted to depict that the model is tough and toned. So he used a graffiti background that gave the image more vibe and masculinity.

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http://www.trendhunter.com/trends/daniel-osborne-male-model-scene-exclusive

This image above was shot by photographer Kenneth Willardt. In  Willardt’s series, each model is stunningly fixed with the works of mascara to lipstick. In several of his shots, Willardt used graffiti art painting as his background and painted his models to also resemble the background. This series stands out for me because it’s fresh, elegant, fun, happy, confident yet sophisticated.

 

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http://www.trendhunter.com/trends/maybelline-2013-calendar

 

In the image below, Chen states that the photographer painted the model’s sunglasses and necklace to resemble the graffiti background.  Chen proceeds with his argument that the photographer use of the graffiti background gave his fashion series an edge hence it made his fashion series more interesting to look at. as a photographer this is the impression that you want your clients to have when they look at your images, you wa

 

 

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http://www.trendhunter.com/trends/cy-magazine-wonderwall

 

 

 

 

 

 

 

 

 

By Connie

 

 

How has Art Movement Influenced Fashion Photography Part 5-CONNIE

 

Jenni Ferchoy assets that photography is highly influenced by art movement. Look at the image below; doesn’t this banana art resemble the Spring 2011 Prada?00180m banana-man-nicaragua

 

Ferchoy states that art movement has had a huge impact on fashion photography in way that fashion photographer’s in New York have collaborated with KAWS to create a merge between photography and art. This collaboration has led to a fabulous Graffiti-Costure editorial spread in Vogue Paris 2009 November edition.

http://www.freckafresh.wordpress.com/2011/05/01/street-art-has-an-influence-in-fashion/.

By Connie

 

 

 

How has Art Movement Influenced Fashion Photography -CONNIE

Jenni Ferchoy assets that photography is highly influenced by art movement. Look at the image below; doesn’t this banana art resemble the Spring 2011 Prada?

banana-man-nicaragua     00180m

Ferchoy states that art movement has had a huge impact on fashion photography in way that fashion photographer’s in New York have collaborated with KAWS to create a merge between photography and art. This collaboration has led to a fabulous Graffiti-Costure editorial spread in Vogue Paris 2009 November edition.

 

How has Art Movement influenced Fashion Photography 2-CONNIE

Alabi assets that art movement influences fashion photography by giving it colour, mood and geometric patterns. Art movement gives fashion photography mood and colour by making it feel more alive, awake, recent thus without art movement fashion photography will be dead, vague and boring but the use of art movement has given it more life.

Alabi assets that fashion photographer’s in the late 19th century considered art movement extremely boring and ugly but nowadays, they considered it as an essential aesthetic of their photography thus they are now using art movement in their fashion series. Their use of graffiti art in their series has made their images much more aesthetically pleasing to their clients. And clients like Marie-Claire and Vogue are now demanding their photographer’s to have art movement in their series.

 

 

 

http://www.cnn.com/2013/09/07/living/high-fashion-street-art/

CONNIE

 

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The image is showing a shop window that filled with four female mannequins, each holding a similar gestures and wearing a slightly different expression on their faces; and their bodies towards different directions. The reflections on the window glass are somehow merged with the mannequins, which creates an ambiguity between the foreground and background to the viewers. The trees are overlapped with the historical building (Baroque style fence and arch can be spotted), with the interior of the shop, and the outfits on the mannequins which represents a period of the early 20th century; it almost looks like that four ladies are leaping through the time and space; yet the oblique lines of the window frame at the foreground suddenly take the viewers back to the reality, remind them that it is just a shop window.

The photographer of this image is Eugene Atget who took up photography at a time when photography was experiencing an unprecedented expansion at amateur and commercial fields. He was equipped with a standard box camera with bellows and a wooden tripod which altogether weighed 30 pounds, used glass negatives, and printed the negatives on albumen paper. The hard working photographer carried his heavy equipments to go around Paris during the end of 19th century and the beginning of 20th century. He was keen on preserving the historical and cultural city by recording its fading side, such as the detail and character of some timeworn streets. And the photographer ignored the modernized part of the same town, he insisted on picturing these images in a clear and straight forward way in stead of adopting the prevailing style of picturesque photography during that period.

Atget’s works were noticed by some artists at that time, such as Man Ray who thought many of them have the quality of dadaism and surrealism, especially the ones of store windows with mannequins behind them. Even though the photographer considered his own works were merely for the recording purposes, they are not art; as he once said that these are simply documents he makes. According to the above image and the other images within the same category that taken by the photographer, all of them have the similar composition and angle; and the reflective windows create the same effect to each image, which altogether bring out a mysterious and indescribable mood to them.

Looking at the image, it can be viewed as something reportorial, that it demonstrates the cultures of a certain period in the old Paris; what’s more is that something beyond the reportorial part can be sensed in this image; it is something poetic and nostalgic about the passing of time. Whatsoever the original purpose of the image is, Atget certainly initiated an idea that art and function can be combined.

 

Photography and Constructivism_Jie Zhong

As an art movement that emerged after the Russian October Revolution of 1917, constructivism developed from cubism, suprematism and futurism, which advocates that art is not merely for the sake of art, but also for the practical purposes. As the movement was considered as an artistic practice that express the new relationship between the artist and society, constructivism were widely seen within social media, such as political propaganda and commercial advertisement.

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Soviet Propaganda

The works of the Russian constructivists (Vladmir Tatln, Alexander Rodchenko, EL Lissitzky, etc.) are based on geometric shapes and lines, they are carefully arranged within the frame that often displays the space with a static and balanced composition.

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constructivism photography

Their photographic works remain the characteristic of constructivism art, and these images contain geometric forms like other constructivist works, such as sculpture, paintings and collages. These photographs are combined of photography’s own feature and the use of extreme composition that often shows a very high or low vantage point, and filled oblique angles and diagonal lines within the frame. They also depict the changing society and life of the post-revolutionary time with the designed form.

Image Analysis -JIAJIA

For my image analysis, I chose “Da-dandy (1919)” by Hannah Horch. Hannah Horch was one of the founders of the Berlin Dada and was known for her political photomontages that uses texts,images,scraps from journals.

Da-dandy, 1919

In the collage, one can see cut-outs of various fashionable women combined. They look classy and seems to be well-to-do from the looks of their jewellery and clothes. The images of the lady look similar because of their monotone appearance.

However, upon closer inspection, there is a man amongst the women. It is common that Horch combines both man and women into one being in her collage, breaking tradition roles. But the use of only monochrome for the ladies in the whole image could possibly illustrate the inequality between man and women at that time in Berlin. Women were often less regarded in society. This is also evident in the treatment of Horch by the Berlin Dada group. She was the only lone women in the group and it was clear that the man were reluctant to include her amongst their rank. As described by Hans Richter, Höch’s contribution to the Dada movement as the “sandwiches, beer and coffee she managed somehow to conjure up despite the shortage of money.”

During the era of the Weimar Republic, “mannish women were both celebrated and castigated for breaking down traditional gender roles.”

Horch referenced the hypocrisy of the Berlin Dada group and the German society in general. An image of a bigger eye was also pasted over the original eye, resembling the eye of the monocle. The monocle was a symbol of Dadaism. Dadaism is also reiterated in the top left hand corner with the words “Dada”. It is also interesting how Horch played with the title, naming it DA-DANDY, combining DADA and DANDY.

A dandy is a man who values and care a lot about his appearance and how he dresses. The figures in the photomontage shows women as the “female dandy”. Although they are in monotone in the image, the ladies are smiling and look empowered. This could be interpreted as a kind of optimism. The ladies are also in front of the male, making them seem more empowering. The images of the ladies all show different sides of the women. However, I realised that the collages of women forms the overall silhouette of the man. This potentially shows the hypocrisy of the society being multi-faced and their reluctance to include women in the same ranks. It can also be interpreted that mankind is the same.

The colours used in the photomontage are quite muted. There is also a clever use of lines to direct the eyes to the middle. Although the nature of photomontages is quite disjointed, it works as a whole. The background of the collage appears to be a hill and a lake. The scenic background looks peaceful compared to the disjointed parts of the images.

The photomontage uses shapes very well. Although it is abstract, it has many layers of meanings. It is interesting to try to dissect the image. The concept of taking an image from another source and context to combine with others, creates different depths.

-JIAJIA

 

When photography encounters surrealism_Jie Zhong

Surrealism is a cultural movement that prevailed in the early 20th century. The surrealist artists attempted to uncover the mystery between the unconscious and conscious mind, to reveal these psychic moments in a way that is unrestrained and illogical.

The surrealist artists’ works usually display a fabricated world by distorted shapes of regular objects, a certain part of a object or human body is ridiculously replaced by or attached to something that is irrelevant to the original object. But these works often have photographic precision, which can be seen in the paintings of Salvador Dali, Rene Magritte, Max Ernst, etc.

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Atavistic Vestiges After the Rain 1934, Dali

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Mae West 1934, Dali

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Golconde 1953, by Rene Magritte

When surrealism interfered in photography, it still carries on the essence as these surrealist paintings. Such as the artists Maurice Tabard and Man Ray, they adopted the techniques as double exposures, montage, combination printing and solarization to create abnormal looking images.

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Untiled composition by Maurice Tabard

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Double Portrait, by Dora Maar

However, some photographs which are not produced for the purpose of art (snapshots, medical photographs, anthropological photographs, etc.) can also be understood as surrealist photography. Like Eugene Atget who photographed the streets of old Paris, and his works are considered as surrealist (even though the photographer himself considered his works as documentary); because the surrealists recognized the city of their own vision through his works.

Cubism and photography (David Hockney)_Jie Zhong

Through the development of the concept for the final folio, I become more aware of cubism art works. Cubism is an modern art movement that emerged at the beginning of 20th century which represents the three dimensional form on two dimensional planes by breaking up, analyzing and re-combining the objects in an abstract way.

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                                        composite Polaroids

David Hockney is the artist whose photographic works are based on cubism. He didn’t like the photographs which have been produced by wide angle lens, he thought the images came out distorted and the image perspective is limited by using this medium. Therefore he started to experiment new possibilities by compositing the photographs that he took to create cubism looking images; these mind-boggling photo collages which he named as “joiners”. At first, he made the collages out of the Polaroid prints, the final image turned out to be a combination of squares that are neatly aligned; which somehow depicts an illusion of time and space.

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                  ‘joiners’

Later he used the 35mm prints to form the collages, the result is seen as many separated prints that are overlapped; these images not only form the new perspectives, but also has an animated visual effect. It is no doubt that Hockney exploits a new field at photography though he later returned to pursue paintings.

 

 

 

 

The pop artist and his photography_Jie Zhong

Andy Warhol is not best known as a photographer, but it is not hard to tell that he created many of his art works that are based on photography and of photography itself by viewing his works.

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Andy Warhol and skull ‘Polaroid’

Looking at his Polaroid portraits that use both celebrities and unknowns as sitters, the expressions of the sitters in most of the portraits are of slightly difference when you have a first glance at them, as they all seem to have this straight looking expression with plain background and staring right at the viewers; many of the sitters are even seen to face the camera lens with the same angle. The similarity of these portraits is probably comes from the typical aesthetic value of Warhol: sameness and repetition.

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Debbie Harry                                                                  Mick Jagger

But as you observe longer at these images, the subtle difference of each sitter’s character become more distinguished through their gazes, and sometimes their hand gestures. Both formality and randomness can be sensed in these portraits that somehow showing a similarity compare with his other works; which is the artist deliberately tried to break the boundaries between elegance and popularity, and makes art for everyone.

 

Rio s3316405 500 words image analysis

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One of the image by Erik Johansson. He is best known for his surrealistic photography works. The concept of his works are focusing on the manipulation of scale, and alternate reality. As he always said there is no such thing as reality, reality is the product of our perception. The latest development on digital manipulation software opens more possibilities for photographer/young artist to create an imaginary- dream like works, by combining different small reality together into a new complete picture. In order to find the meaning of the images , personal interpretations are necessary. In this image the idea is a lot more important aspect to be considered rather than the moment itself. He uses a lot of tangible material to be put in his picture, in another way it is not a CGI, the bit and pieces being put together are images being rescaled, readjusted. Finding the idea is the most challenging aspect in surrealism photograph

Surreal photography can often be blurred with conceptual photography, surreal photography would be more about creating a world or image which goes beyond the physical world as we know it. It usually shows something which would be impossible in real life or contradict with the line of defining what is real and what is imaginary. He uses a lot of tangible material to be put in his picture, in another way it is not a CGI, the bit and pieces being put together are images being rescaled, readjusted. Finding the idea is the most challenging aspect in surrealism photography

Scale manipulation plays an important part, it changes the viewer’s perspective on things and at the end its all about seeing things through different perception. Even though imaginary, our subconscious mind recognize the picture as a single real entity as our perception of our brain can be altered by visual manipulation. Visual manipulation can be achieved by latest digital editing software. Unlike before the era of computer, artist now a days are being exposed to a whole range of a new possibilities and not constraint by scale and space elements. And technology has revolutionized the art itself. So surrealism photography has now moved beyond camera and stage set, it has entering a new era which editing software plays a vital role.

In this picture we see the enormous scale manipulated fish as the floating island that supports the house. It depends on and up to the viewers on how to interpret this image, but surely this image gives an example of how scale manipulation can alter the message of a picture trying to communicate. For me this picture has one meaning : a fish as the main resource of food of the people that live in the house. Without the fish those people cannot live, and simply they will be sunk into the sea (which means death). So the main point is at the end the viewer does not recognise that fish as an “ordinary fish” but rather a subject that has more meaning.

 

Surrealism in photography – Rio s3316405

Surrealism

 

Surrealism is often being described as a modern contemporary art movement which firstly emerged in the beginning of 20th century ( 1920 – onwards ). It mainly focuses on visual art and literature.

 

The main purpose of this movement is to give viewers idea of relationship between dream and reality , often these two elements are being put together to create an illogical scene. Many surrealist artists and writers tried to uncover dreams, desire, madness the uninhibited imagination, the unconscious the hallucinatory and express other strong emotions that overwhelm the mind. ( Dept. of photographs , 2000). It always created a dialoque between the conscious and unconscious mind. As Sigmund Freud believes that the unconscious state of mind that trigger surrealistic art.

is after all is one of the revolutionary movement in art in modern era and Paris was the epicenter of the movement.

 

The concept or the embryo of the movement emerged during the frantic moment of world war I. Many artists, painter, writer and intellectual became involved and believed in Dada movement .Which views that excessive rational thought had created tremendous conflict to the world. These people often being described as Dadaist.

 

The Dadaist main purpose and aim is to put a revolutionary brand new thoughts in every aspect of society ( cultural, political ) and personal value as said by the Leader of the movement Andre Breton. They wants to free people from manipulated rationality , and custom structures.

 

This movement was still considered unofficial and underground until 1924 when Andre Breton published the first manifesto of surrealism and published a journal called La revolution surrealiste ( surrealist revolution )

 

Surrealism, by which one proposes to express, either verbally, in writing, or by any other manner, the real functioning of thought.

 

Surrealism is based on the belief in the superior reality of certain forms of previously neglected associations, the omnipotence of dream, in the disintegrated play of thought. It tends to ruin once and for all other psychic mechanisms and to substitute itself for them in solving all the principal problems of life. (“Manifesto of Surrealism”. Tcf.ua.edu. 1924-06-08. Retrieved 2012-12-06)

 

The movement continued to gain prominence until 1930, when the idea developed further with second manifesto of surrealism.

 

And yet after gaining influence as emerging cultural movement, surrealism becoming one of the most revolutionary political movement across France and then across Europe. The followers or the members of the movement often described as the supporter of communism. Andre Breton and his follower joining the communist party fighting for what is so called as liberation of man.

 

1930’s is the year when surrealism movement is about to reach its golden age. By 1936 another surrealist group developed in England

 

World War II was impacting the development of surrealism art tremendously. The rise of Nazi and Fascism have forced many artist, writer and intellectual to fled Europe and established their idea in the free world of United States. The surrealist group and the followers of the movement flourished in city like New York. The idea of unconscious and dreamy imagery quickly accepted and embraced. And the even the leader itself Andre Breton acknowledging the potential of the United States open culture, he himself paid a visit to the United States in 1941 when Charles Henri Ford, an American Poet gave Breton a channel to promote surrealism throughout the country.

 

Surrealism in photography opens a brand new idea on how people look and perceive things. It is very imaginary opening up a lot of new possibilities but also contradictory since the photographer are meant to capture what people define as reality.

 

Surreal photography can often be blurred with conceptual photography, surreal photography would be more about creating a world or image which goes beyond the physical world as we know it. It usually shows something which would be impossible in real life or contradict with the line of defining what is real and what is imaginary. You can define surreal as beyond reality.

 

And there are a couple of procedures that usually being applied in surreal photography such as the use of double exposures, combination printing, montage, evoked the union of dream and reality.

 

It brought up a new pioneer and pioneer on the movement, such as: Henri Cartier Bresson, Lee Miller, Man Ray, Lee Miller, Salvador Dali, Andre Kertesz.

 

All of their works are considered being considered as high-art, and due to the nature of surrealism itself the photographs are not just meant as beautiful images but as a highly intellectual art

 

One of the early famous work of surrealism is The Dali Atomicus by Philippe Halsman ( 1948)

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It took more than 20 more attempts and train and error shot before he was happy with the result.

 

Unfortunately the influence of intellectual Surrealism art movement began to decline in the 1960 following the beginning of tension between the two superpowers resulting in long-lasting cold war which ended in 1991. One of the main reason is surrealism movement has been long considered as the supporter of communism and left wing political movement.

 

But the idea or the concept of the movement still exist in the present day. One of the photographer that explicitly embraces the idea is Erik Johansson, Christophe Gilbert. And the purpose of the picture has been more broadly defined. Not only as communicating visual , unconscious message, its been used as a tool to advertise or to market an idea or product.

 

So at the end there isn’t an absolute reality. What we considered reality is based on our own perception, and surrealism art is there to alter your perception to move you beyond the common reality we always see every single time. It is there to put you into a brand new imaginary world and to make you believe that no dreams can never be come true

 

As what Erik Johansson said a photograph that leaves a brief moment to think. Capturing the idea instead the moment. The perspective is the illusion. It is not about what is real what is not, its about what we perceive as reality.

How has Art Movement Influenced Fashion Photography Part 6–CONNIE

 

CONCLUSION

Art and fashion photography go hand in hand thus when you exclude one of them from your series, your series will become boring.

As stated in the research above, art movement gives fashion photography life, colour and mood. It makes fashion photography more interesting to look at as these different art movement patterns give it a different mood, feel and texture hence art movement has redefined the ‘norm’ of fashion is boring by making it more interesting.

However, as art movement has influenced fashion photography positively, it has also influenced it negatively in a way that fashion photographers are now depending solely on art movement as it is the trend nowadays, although one is left to wonder, Will this art movement continue to influence fashion photography in the future and if not, What will influence fashion photography in the future?

The use of art movement in fashion series has also created a monotony of images thus as much as these fashion series are interesting to look at but they are also extremely monotonous as every fashion photography is using the ‘art movement’ hence this has led to fashion series being the same thus it has led to fashion series having the same mood, feel and sense of place.

By Connie

 

 

 

 

DADAISM & MAN RAY (Part 5) -JIAJIA

Of course, I would love to dedicate a whole post on Man Ray and Dadaism. Man Ray has been a great contributor to Dadaism.

Man Ray

Photography has always been doubted to be an Art form since its inception as it was often seen as mechanical and technical. The Dadaists, however, embraced photography.

Experimentations to achieve something unconventional include double exposures, radical perspective, and unconventional subjects as well as photograms. Man Ray, committed to film and photography as the medium for his artmaking after 1918.

Photograms:

 

Man Ray, “La Maison” (1931)

 

Woman with Long Hair, 1929

Man Ray also used very different perspective for some of his photography works.


American, 1890–1976
Untitled (Woman smoking cigarette), 1920

American, 1890–1976 Rayograph, 1923